4,513 Free Images of Etchings In The Yale Center For British Art

hand-coloredpaperlaid paperetching and line engravingisaac cruikshankjames gillraygeorge cooke (engraver)george cookeromanticismthomas rowlandson
Miss Elizabeth Stephenson, later Elizabeth Savile, Countess of Mexborough, William Dickinson, 1776
etchings in the yale center for british artwilliam dickinson
Weathercote Cave when half filled with Water, Samuel Middiman, 1821
etchings in the yale center for british artsamuel middiman
The Enraged Politician or the Sunday Reformer or a Noble Bellman Crying Stinking Fish, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
[Shooting] The Sportsman (four lines of verse by J. Emery), George Maile, 1824
etchings in the yale center for british artgeorge maile
Florence, from the Chiesa al Monte, George Cooke, 1820
etchings in the yale center for british artgeorge cooke (engraver)
Eminentissimus Armandus Ioannes Du Plessis Cardinalis Richeleus, William Faithorne, between 1660 and 1690
etchings in the yale center for british artwilliam faithorne
The Humbug or an Attempt at Tragedy with the Jordan (struck through and replaced by) Joram Upsett, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A Worthy Alderman and his Friends Canvasing or Strong Recommendations for a Member of Parliament, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
What a Man Buys He May Sell. Blackstones Commentaries Page..., James Gillray, 1788
etchings in the yale center for british artjames gillray
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office, James Gillray, 1792
etchings in the yale center for british artjames gillray
L'Enfant Prodigue exigeant sa legitime, Johann Jakob Haid
etchings in the yale center for british artjohann jacob haid
View of a River from a Terrace, Macon, Francis Job Short, 1891
etchings in the yale center for british artfrank short
(The) A Grand Battle between the Famous English Cock and Russian Hen!, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
John Bull Viewing Billy's Preparations for His Birthday, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757
etchings in the yale center for british artpeter paul benazech
The Wreck of the Nuestra Senora de los Remedios, John Boydell, 1753
etchings in the yale center for british artjohn boydell
William Tell's Chapel (vignette), Robert William Wallis, 1830
etchings in the yale center for british artrobert wallis (engraver)
Monopolisers Caught in Their Own Trap or a Companion to the Farmers Toast, Charles Williams, 1801
etchings in the yale center for british artcharles williams (caricaturist)
The Ghosts of Mirabeau and Dr. Price appearing to Old Loyola, Thomas Rowlandson, 1791
etchings in the yale center for british artromanticism
The Taking of the Nuestra Senora de los Remedios, John Boydell, 1753
etchings in the yale center for british artjohn boydell
Land's End, Cornwall, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself, James Gillray, 1798
etchings in the yale center for british artjames gillray
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children, James Gillray, 1782
etchings in the yale center for british artjames gillray
Forget and Forgive or Honest Jack Shaking Hands with an Old Acquaintance, Thomas Rowlandson, 1799
etchings in the yale center for british artromanticism
Donnington Castle, taken from a Field adjoining the Road to East Ilsley, from Newbury., Letitia Byrne, 1805
etchings in the yale center for british artletitia byrne
The City Combat, or the Desperate Attack at The English Baron, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Corfe Castle, Dorsetshire, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
The Corporation's Visit to their Brother in Smithfield or the Hog's Feast on Being Sworn-in, Isaac Cruikshank, 1790
etchings in the yale center for british artisaac cruikshank
A Naughty Boy Turn'd Out of School, William Heath, 1828
etchings in the yale center for british artwilliam heath (artist)
Her Royal Highness the Princess Royal, Peltro William Tomkins, 1801
etchings in the yale center for british artpeltro william tomkins
Ingleborough, from Hornby Castle Terrace, Charles Heath, between 1818 and 1823
etchings in the yale center for british artcharles heath
Col. Topham Endeavouring with his Squirt to Extinguish the Genius of Holman, Thomas Rowlandson, 1785
etchings in the yale center for british artromanticism
The Dwarf and The Giant or, The Strong Lad of Brighton taking off the Princes Chum!!, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Budget or John Bull Frightened Out of His (Money) Wits, Isaac Cruikshank, 1797
etchings in the yale center for british artisaac cruikshank
Mad Tom's First Practical Essay on the Rights of Man, Isaac Cruikshank, 1792
etchings in the yale center for british artisaac cruikshank
The Present State of Europe, Or - John Bull on his Last Legs, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
Part of Waterloo Bridge with the Shot Tower, &c., George Cooke, 1832
etchings in the yale center for british artgeorge cooke (engraver)
Le Roi Esclave on Les Sujets Rois Female Patriotism, Isaac Cruikshank, 1789
etchings in the yale center for british artisaac cruikshank
For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757
etchings in the yale center for british artpeter paul benazech
The Duke of Gloucester Accusing Jane Shore of Witchcraft, William Bromley, 1811
etchings in the yale center for british artwilliam bromley (engraver)
Henry Tilson, Painter, Henry Hoppner Meyer, between 1800 and 1840
etchings in the yale center for british arthenry hoppner meyer
Hospice of the Great St. Bernard. No. 1, Charles Hamilton Smith, 1830
etchings in the yale center for british artcharles hamilton smith
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves, James Gillray, 1783
etchings in the yale center for british artjames gillray
Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard, James Gillray, 1798
etchings in the yale center for british artjames gillray
Long-ships Light House, Land's End, Charles Hamilton Smith, between 1827 and 1838
etchings in the yale center for british artcharles hamilton smith
The South Entrance of Duke's Place, John Thomas Smith, 1814
etchings in the yale center for british artjohn thomas smith (1766-1833)
Reform Advised - Reform Begun - Reform Compleat (Complete), Thomas Rowlandson, 1793
etchings in the yale center for british artromanticism
More Short Petticoats of Highland Association Under Episcopal Examination, Franciscus Sansom, 1798
etchings in the yale center for british artfrancis sansom
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings, James Gillray, 1798
etchings in the yale center for british artjames gillray
Which is the Better Man or The Pot Calls the Kettle Blacka-e, James Gillray, 1786
etchings in the yale center for british artjames gillray
Architectural Designs Incorporating Chinoiserie motifs: China Railing, George Bickham the Elder, 1751
etchings in the yale center for british artgeorge bickham the elder
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child, James Gillray, 1798
etchings in the yale center for british artjames gillray
Clovelly Bay and Lundy Island, William Miller, between 1814 and 1826
etchings in the yale center for british artwilliam miller (engraver)
The Modern Gulliver Removing the P(a)rl(iamen)t of Lilliput, Isaac Cruikshank, 1800
etchings in the yale center for british artisaac cruikshank
The Pot calling the Kettle Black A - Or Two of a Trade can never Agree, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
Self Murder or the Wolf Tried and Convicted on his own Evidence, Isaac Cruikshank, 1791
etchings in the yale center for british artisaac cruikshank
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757
etchings in the yale center for british artpeter paul benazech
For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757
etchings in the yale center for british artpeter paul benazech
The Duel, or Sir Dicky Dab Thro' and Thrl' The Captain, John William Edy, 1786
etchings in the yale center for british artjohn william edy
Cader Idris, John Sell Cotman, between 1824 and 1830
etchings in the yale center for british artpaintings by john sell cotman
Column at Yarmouth to the Memory of Lord Nelson, John Sell Cotman, 1817
etchings in the yale center for british artpaintings by john sell cotman
My Grandmother; Alias the Jersey Jig, Alias the Rival Widows, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
Pendennis Castle and Entrance of Falmouth Harbour, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
Peniston, William, and Frederick James Lamb: The Affectionate Brothers, Francesco Bartolozzi, 1791
etchings in the yale center for british artfrancesco bartolozzi
A View of Boscobel House & The White Ladies, with the Wood where King Charles II Concealed Himself after the Battle of Worcester, Michael Vandergucht
etchings in the yale center for british artmichael vandergucht
King's Place, or a View of (Monsieur Reynard's) Best Friends, Thomas Rowlandson, 1784
etchings in the yale center for british artromanticism
St. Agatha's Abbey, Easby, John Le Keux, between 1818 and 1823
etchings in the yale center for british artjohn le keux
Councellor Ego. - i.e.: - Little I, Myself, I., James Gillray, 1798
etchings in the yale center for british artjames gillray
Between Two Stools The Bottom Goes to the Ground, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
The Little Green Man or the Bath Bugabo, or the Widows Terror, Charles Williams, 1802
etchings in the yale center for british artcharles williams (caricaturist)
Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington, Thomas Barber, 1829
etchings in the yale center for british artthomas barber
A Charge of Bastardy before Justice Juggle, George Murgatroyd Woodward, 1790
etchings in the yale center for british artgeorge moutard woodward
Land's End, Cornwall, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
Land's End, Cornwall, George Cooke, between 1814 and 1826
etchings in the yale center for british artgeorge cooke (engraver)
Lear, from King Lear, Act III, Scene ii, John Hamilton Mortimer, 1776
etchings in the yale center for british artjohn hamilton mortimer
Ophelia: There Is Rue for You and Here's Some for Me, Francesco Bartolozzi, 1784
etchings in the yale center for british artfrancesco bartolozzi
The South-West View of Battel-Abbey, in the County of Sussex, Samuel Buck, 1737
etchings in the yale center for british artsamuel buck
For Japaning, Where may be 200 Different Sorts, Peter Paul Benazech, 1757
etchings in the yale center for british artpeter paul benazech
Corner of the Palais de Justice, Paris, Thomas Shotter Boys, circa 1833
etchings in the yale center for british artthomas shotter boys
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land, James Gillray, 1795
etchings in the yale center for british artjames gillray
Preparing for Action or an English Man of War engaging Two Dutch Doggers, Isaac Cruikshank, 1793
etchings in the yale center for british artisaac cruikshank
Battle Abbey, The spot where Harold Fell, William Bernard Cooke, 1816
etchings in the yale center for british artwilliam bernard cooke
Fonthill House in Wiltshire, the Seat of William beckford Efq, William Angus, 1800
etchings in the yale center for british artwilliam angus
A Duet. - Turn Fair Clora, Turn Ah Cruel, Turn Again, James Gillray, 1792
etchings in the yale center for british artjames gillray
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square, James Gillray, 1796
etchings in the yale center for british artjames gillray
Ophelia: There's Rue for You, and Here's Some for Me, Francesco Bartolozzi, 1784
etchings in the yale center for british artfrancesco bartolozzi
The Royal Joke, - or - Black Jades Delight, A Hint For a New Reform, James Gillray, 1788
etchings in the yale center for british artjames gillray
The Roman Forum from the Tower of the Capitol, George Cooke, between 1818 and 1820
etchings in the yale center for british artgeorge cooke (engraver)
Joannes Snellincx, Pieter de Jode II, circa 1635
etchings in the yale center for british artpieter de jode (ii)
Old Hat or a Serious Divertisement as Performed at the Chap(p)el Royal, John Cawse, 1800
etchings in the yale center for british artjohn cawse
Mary, Queen of France / Charles Brandon, Duke of Suffolk, George Vertue, 1748
etchings in the yale center for british artpaintings by george vertue
Sailors on Shore at Navarino, William Heath, circa 1827
etchings in the yale center for british artwilliam heath (artist)
Sir Charles Bingham, first Earl of Lucan, William Daniell, between 1802 and 1814
etchings in the yale center for british artwilliam daniell
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master, James Gillray, 1791
etchings in the yale center for british artjames gillray
Picturesque Views of the Antiquities of Pola in Istria, Posterior View of the Two Temples, George Cooke, 1819
etchings in the yale center for british artgeorge cooke (engraver)
The Opening of Parliament or the Air Gun-Plot or the Infamous attack on His Majesty, Isaac Cruikshank, 1795
etchings in the yale center for british artisaac cruikshank
The Renuciation of an Ex Noble now become a Republican Sans-Culotte Citizen, Isaac Cruikshank, 1794
etchings in the yale center for british artisaac cruikshank
The Roman Forum from the Tower of the Capitol, George Cooke, between 1818 and 1820
etchings in the yale center for british artgeorge cooke (engraver)
Architectural Designs incorporating Chinoiserie Motifs: Rails, George Bickham the Elder, 1751
etchings in the yale center for british artgeorge bickham the elder
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